Safety over Freedom

It reads like a rant, right? It’s not. I’ll always pick freedom. But I also know better than to think things go away because I wish it.

Anyway…

I rarely draw kids. It’s not that I don’t like them; it’s that I don’t want to be trapped in the business of kids and pets. I have no interest in them.

But I do get it. My son was a little cutie, like this one. Curly hair and all. It took a long time to perfect those ringlets.

Drawing loved ones isn’t the same. It’s an interesting challenge, because you don’t really see the person only. You see them through the lens of your affection for them.

That makes it difficult to accurately judge what you are seeing. Even the most ordinary act can seem to be wonderful in such light, to say nothing of the person. To me my mom looks young and has a special glow.

You aren’t able to see that for the loved ones of others. Sometimes your interpretation of a person or pet can actually upset a customer.

People often don’t understand that an artist has developed a style that they may not appreciate. We’re not Xerox copiers and I’ve had a few experiences where expectations didn’t sync up with the reality.

That’s why it’s important to communicate with your client; if they are interested in a commission of any type, find out WHY they think that you’d make a great choice. Are they fans of your work? Did they pick you out of a hat? What are the expectations of the final work? How do they feel about the subject? Can they tell you a story about them?

Emotional stuff is NEVER irrelevant.

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